But is perhaps most common in Tabriz rugs. Shah Abassi motifs are frequently seen in Kashan, Isfahan, Mashad and Nain rugs amongst others. This is the name given to a group of palmettes which can be found in all-over and medallion designs as well as in borders. The Rosette design is often found in Nain rugs. This can be used in the borders however is mostly limited to the field and can be in either naturalistic or geometric form. The Rosette design is a circular arrangement of motifs radiating out from the centre medallion suggesting the petals of a rose. The design is almost always an all-over patter, it can be found in many rugs but certain workshops almost exclusively use it such as those weaving Varamin rugs. This design is used regularly in a number of different rug types and is not representative on one single area. The pattern is made up of repeated daisies interlinked by diamond (often curved) or circular lines. Mina-Khani is used to describe this distinctive pattern used in many Persian rugs. This can be in various forms in either geometric or curvilinear designs. The Herati motif is a very common repeated field design which normally consists of a flower centred within a diamond surrounded by curved leaves parallel to each side of the diamond. 'Gul' is Farsi for flower and is normally used to describe these octagonal, all over or repeated patterns. The Gul motif is often seen in Turkman, Gorgan and Khal Mohammadi rugs. Click on images to see full images of the rugs. In the 19th century in Scotland, the design which was then found on Kashmir shawls and scarfs was copied to make the now world famous Paisley shawls. THE IRANIAN, Art, Culture, History, Lion, Rugs, The Lion An enduring symbol of majesty and power woven into Persian rugs JanuThe Iranian From 'Lion Rugs The Lion in Art and Culture of Iran' by Parviz Tanavoli (Trans Book, New York, 1985). Various interpretations of the design have included: Flames, Tear drops, Pine cones, Pears and Trees This motif is often found in a cluster (all-over pattern) however has been known to be used in isolation in intricate, artistic weaves. There are a number of patterns which are found in Persian and Oriental rugs called 'motifs', these designs have different meanings and tend to be used depending on the area the rug was woven although it is not unusual to find more than one motif in a single rug.īoteh is the Farsi word used to describe in immature flower or palm leaf.
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